Don’t you love it when you see a good film? I mean, a really good film? It’s as if you can almost forgive Hollywood’s slew of crap and truly appreciate a really great movie. Well, that’s just the case with Lincoln. If one can overlook the temporary injections of corniness, they can witness a beautiful, passionately and wonderfully acted, and an even charming film blossom before their very eyes.

Lincoln follows the 16th President and his cabinet’s journey to establish the 13th Amendment; you know, the one that gets rid of slavery? Obviously, it’s kind of a big deal, and some people don’t like it. Abraham Lincoln must convince his nation to ratify this measure, all while attempting to bring the Civil War to a close, grieve with his wife Mary over the death of his son Willy, raise and love his other two boys, and deal with a bunch of old, grumpy white guys.


In short, Spielberg’s still got it. All of these topics are handled gracefully and flow smoothly with each other, also managing to paint a touching portrait of Lincoln. (Lincoln’s kind of like the Grandpa you wished you had, who would go off topic and tell funny stories, then somehow tie that story into his preceding point, and look really cool and wise.) While Spielberg’s direction is great (one is always aware of the camera, but it seems more like a warm invite than an irritating awareness), let’s give a round of applause for Tony Kushner, the screenwriter. It takes great skill to construct an accurate and pleasing portrait of Lincoln and his presidency. And the assassination: tactful, despite how weird that may sound. The death of America’s President is sad, yet bittersweet.

And wow, I forgot to mention the acting; that’s just how good it is. Everyone falls completely into their characters, and I bet you $100 Daniel Day-Lewis is winning that Oscar.*

Lincoln is one of the best films this year, no doubt about it.


*I’m sorry, I actually can’t give you a $100. 


I could try to devise a witty opening sentence, but why be coy? Argo is one of the best films of the year and another gold star in Ben Affleck’s directorial career. After a lackluster summer and a dry spell during early fall, moviegoers were starving for a good film. No, cross that. An excellent film. Argo is that film.

Since most of the suspense is brimming in the last thirty minutes of the movie, some may feel Argo is fine for the first hour, but it starts getting good until the last scenes. Which is wrong, of course. Argo is one of those movies that every time you watch it, the better it gets. Small clues left in the beginning of the movie and quick-witted dialogue not only pumps up the pace in the first half of the movie, but serve to reinforce the dramatic and riveting thrill in the other half.

So let’s see: suspenseful, intelligent, fun…how much more can this film pack in? Well, Argo is greedy – in a good way. Smartly adapting Iranian drama is not enough; Argo attempts to give insightful observations- not overly analyze – the ethics of the movie business (or lack of, that is). But it’s so well hidden in hilarious lines, we’re so busy having fun that we forget actually learned something.

Everyone does an excellent job here, from the smallest (but most powerful) roles to Affleck’s calm and suave performance. What else can I say? Argo is an excellently crafted film, one that shouldn’t be missed.